My earliest memories of the Mahalaya is waking up to
the baritone of Birendra Krishna Bhadra’s
Mohisasuro Mordini. Babi
would wake me up sharp at 4 am to listen to the recorded version being aired on
Akash Vani. This turned out to be an annual ritual to welcome the goddess on
the eve of the Navratri. To this day, my pujo doesn’t commence without the
nostalgic goose bumps that are accompanied with the hearing of the ‘Baajlo
Tomar Aalor Benu’ and the deep, bass voice.
Over the years, this
was followed by the telecast on Doordarshan and gradually, cable television
networks which enacted various renditions of the Moshisasuro Mordini episode,
that of good annihilating the evil. In the younger days, the televised versions
held subsequent interest which has gradually phased out over the years, due to
repeated renditions of the same story. And might I say, the recent renditions
are but a sad version of their predecessors, the actors oft are not convincing
in their roles and the story development, just pathetic!
Another important
part of the Mahalaya or the Devi welcoming occasion has been the torpon. Going
over to Bagh Bajar ghats with Ma and Babi to offer our ancestors the holy water
of the Ganges , are as integral to this day as
the radio recital or television acts.
The travel back home after the
torpon till this day is rounded up with visits to the small, hing kochuri
outlets that are available at every nook and corner of North Kolkata, harking
back on the old world charms and memories of a bygone era. Babi would always
elaborate on how old this shop is, which famous personality had visited that
one to gorge on the famous hing or koraishutir kochuri.
These continue to be a part of the
tradition of welcoming the devi every year. However, recent work related commitments
however have robbed me off the pleasure of the ending ritual. However, I still
make it a part to hold on to the former traditions.
Tomorrow will be such another day, another year.
Subho Mahalaya.
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